This is a brief interview with Darren Horvath from back in 2017. I've trained in his Hombu class several times in Japan. Always a very fun class, and he is a real mountain of a man!

In the late 1990s and early 2000s there was a Bujinkan focused forum, administered by a Japan resident, it was called Kutaki no Mura. At one point, they created a podcast called Kutaki no Ha.  Even though the website is no longer around, starting earlier this year the podcast is being uploaded episode by episode to Youtube.  For those who are interested, I will post them here to this blog. 

Podcast #1, interview with Thomas Fanzen, Part 1.:

I'm sharing another essay by Sean Askew, originally published June 15, 2022 on his Blog at BKRBUDO.com. Here is a brief excerpt, click to read the full essay and see the photos:
"The Bujinkan has a fascinating history and lineage, but due to that heritage it often draws the attention of skeptics and critics. Quite literally it gets nitpicked to no end, mainly because of the identity of the characters of its origin story.
 
It is basically like an English school of traditional archery, quarterstaff, or even swordsmanship, claiming that their system’s founder was Robin Hood.
 
The mother lineage of the Bujinkan martial arts is the Gyokko Ryū and its founder, Tozawa Hakuunsai, is just as colorful if not more so than Robin Hood.
 
To go on about Hakuunsai and his role in the development of ninjutsu and koshijutsu martial arts would easily fill a whole book. What I would like to discuss here is one of the Gyokko Ryū’s claims that is most often under attack by critics of the Bujinkan, that Tozawa Hakuunsai is the founder of the school of Koshijutsu known as Gyokko Ryū. It is doubted by the skeptics in terms of authenticity because they believe that no document mentioning Tozawa Hakuunsai exists in the historical record, before his appearances in fictional literature from 1911 to 1924 CE by the Tachikawa book series publishing company. Therefore, in their opinion, the lineage had to have been created or fabricated after 1911 CE.
 
There are two key points against this argument.
 
First is that the Tachikawa books were putting on paper “stories” and legends that had been passed down in a stylized performance known as “Kōdan”, a traditional Japanese story-telling art.
 
The performer sits at a small desk called a “shakudai” and taps it with a traditional folding fan to set the pace and tone while reciting to the audience mainly historical stories such as military memoirs and political stories.
 
The legends of Tozawa Hakuunsai being at Togakushi Mountain had been handed on for generations in local folklore before finally being “retold” in a modern form of literature by the Tachikawa book company. Historically though Hakuunsai could not have taught Sarutobi Sasuke as they write in the Tachikawa stories because the two men were from two different periods of time, the former was active in the mid 1100’s while the latter in the late 1500’s and early 1600’s. The Tachikawa book company took artistic and creative liberties there for the sake of the story.
 
The second major point against the critic’s argument is that[...]"
Click here to keep reading.